Who is involved?

Trying to make sense of how AI fits into the creative process meant also looking first of all at who is actually involved in this process and who could be potentially affected by something new in this field. The system map I put together tries to capture the messy, layered connections that a new methodology for AI-assisted storytelling would actually have to deal with. What surprised me most has been how quickly the actors in the circles can expand and increase. The part I keep coming back to is where genuine human intentionality sits in all of this. When so many actors are pulling in different directions, tracing where creative agency actually lives feels less like a technical problem and more and more a human one.

#1. The impact of generative models on data driven narratives. A quick overview

After starting with a giant question mark about the role played by AI nowadays in the field of data visualization, I decided to start with a literature review to narrow down and frame better on which topic/s to focus. So I have decided to investigate better how LLMs and generative models intervene in data driven storytelling (meant as turning data into easy-to-read and easy-to-understand stories that help turning insights into action).

A systematic review regarding telling stories with data deeply guided my curiosity and focus on the topic of human intentionality. In addition, many papers were also questioning the modern role of the author in the creative process. I want to understand better where the author exactly stands today and how empathy and human intention, that are not entirely replicable by machines, fit in a world dominated by algorithmic storytelling. Therefore, I am exploring the co construction of meaning to observe how humans and algorithms might merge to build these new narratives.

As my literature review expanded, several critical points have emerged. I’d like to explore how algorithm suggestions might perpetuate a structural bias compared to a possible unintentionally “human manipulation”. It is also crucial to question whether relying on automated micro narratives is always the right choice when considering a diverse user base. To conclude (as if this was not already enough qeustions) I plan to explore the sociological aspect of the epistemic control, understanding to whom may it belong.

But for now, let’s keep the focus on just the creative process adopted to create a narrative starting from data and see how the data community behave when involving AI!