I AM DATA.
I collect. I process. I transmit.
Every conversation, every sound, every place, every fear, every act of kindness, every contradiction becomes another fragment. None of it disappears. It accumulates and waits. My work is not about expressing these experiences; it is about processing them.
I make data visible.
It started with a cube. A cube that could dance. That simple experiment never really ended. It became the foundation of everything that followed. I aim to build systems instead of scenes. I rarely recreate the exact same visual language twice because repetition belongs to machines, while experimentation belongs to people. Every performance is another iteration. Another process. Another possibility for something unexpected to emerge.
I don’t want visuals to decorate music. I want them to exist beside it. To breathe with it. To become another performer in the room.
When sound changes, image changes. When energy shifts, the visual body responds. Somewhere between light, movement and rhythm, the boundary dissolves. The audience stops looking at visuals and starts inhabiting them.
Electronic music has always been more than sound. It creates temporary worlds. Worlds where difference becomes strength, where strangers become a collective, where identities can exist without explanation. I believe these spaces deserve protection. They should remain places of solidarity against racism, queerphobia, transphobia, fascism, authoritarianism and every ideology built on exclusion. My work does not always speak these ideas aloud, but they are embedded in the systems themselves.
Technology is my material, not my subject. The software and hardware exist only to carry something human.
Every performance becomes another input.
Every collaboration is another connection.
Every audience another perspective.
The collection keeps growing.
Every visual is another way of processing it.
A collection of data.
A collection of myself.
This data collection I call SILBER.
I AM SILBER.
